About me

I’m a film and documentary producer, a proud member of the Producers Guild of America and The Explorers Club, as well as the founder of my production company Animal Victory Entertainment.

I’ve always been drawn to stories with a strong point of view. Work that can entertain, provoke, surprise, and, ideally, stay with an audience long after the credits roll. My career began inside some of the world’s most recognizable media brands, producing for Condé Nast Entertainment across GQ, WIRED, Vogue and The New Yorker. Along the way, a series I worked on, What’s Inside, won the Producers Guild Award for Outstanding Digital Series, while Casualties of the Gridiron earned Condé Nast its first-ever Sports Emmy nomination.

For the past five years, I’ve been fortunate to continue that journey at the Daily Mail, most recently as a Senior Video Producer. It was an extraordinary education in producing at speed and at scale: covering major awards shows, red carpets premieres, breaking entertainment stories and defining cultural moments for one of the largest news audiences in the world. The work demanded instinct, precision and an ability to recognize the story in the middle of the noise. These are skills that have absolutely become just as valuable to me on an independent film set as they are in a global newsroom.

At the same time, Animal Victory has continued to grow into the home for the personal work I’m most passionate about making. I’m currently serving as Executive Producer on the sports documentary Kokpar, while developing HEADS, an ambitious, handcrafted stop-motion feature film being built alongside an extraordinary international team of artists and craftspeople. Developing HEADS has taken me deeper into the worlds of feature financing, international production, talent packaging, and long-term creative collaboration, and it has reinforced what I love most about producing: taking an idea that feels almost impossible and slowly assembling the people, resources, and momentum needed to make it real.

My work has been recognized by the Producers Guild of America, Directors Guild of America, Webbys and Telly Awards, and has screened at festivals including SXSW, Fantasia and Cannes. I’m proud of those milestones, but I increasingly see them as chapters rather than destinations. There are more films to finance, more worlds to build, more extraordinary people to collaborate with, and, from where I’m standing, the most exciting part of the story is still ahead.